東京を拠点とするサウンドギャラリーEBM(T)と、ベルリンを拠点に活動を行う3hd Festivalは、フェスティバル「インフラ INFRA」 を8月19日から8月26日まで開催いたします。
基礎や基盤を意味する インフラ INFRAという名前は、アーティスト、参加者にとっての新しい基盤を意味しています。
Berlin’s 3hd Festival and Tokyo-based EBM(T) Gallery are combining forces to work on インフラ INFRA 2017 in Tokyo, running August 19 to 26.
An ambitious festival of art, music, and thought in the digital age, the program unfolds in museums, galleries, clubs, and online.
The name インフラ INFRA is a play on the abbreviated form of ‘infrastructure,’ and breaks new ground for participants.
TCF: 0A F0 11 6B 5A D7 F9 96
Shifting between art exhibitions and musical performance, Lars TCF Holdhus work explores themes of code, cryptography, and musical composition through the use of visual, sonic, built, and written concepts.
Nobukazu Takemura: Time Remaining
Performance by N.T Ensemble, an orchestral group formed by the artist Nokukazu Takemura to expand on his ongoing research into the relationship between language and sound, while utilising text and images, within electronic music.
Club of a new Generation
A late-night closing party with DJs and producers who understand fun, speed and tempo.
Johanna Odersky a.k.a IKU is a Frankfurt-based artist whose interests and music is circulated around the aesthetic form of recursion. Currently studying Fine Arts at Städelschule, she uses this approach as a loose structure for creating, as well as erasing, mood and meaning. Recontextualization and self-reference are used to bring to mind different time frames and an alternative space to our linear histories and understanding of being.
Johanna Odersky is a Frankfurt-based artist who currently studying Fine Arts at Städelschule. In her sculptural work, Odersky is interested in the silhouettes separating the inside from the outside, and the mechanisms emerging from them: inclusion, exclusion and domestication. Thinking of exteriority as a form of resistance to contemporary claustrophobia, she simultaneously tries to build up and to break thoughts and their borders. A circular movement, in which one does not get closer to an exact definition, but instead is led to inexhaustible regress.
Francesco Cavaliere and Tomoko Sauvage re-interpret the work by the fluxus artist and composer Henning Christiansen. For their installation and performance, the duo plays green sculptures and instruments combining mineral, glass, plants and painted synthesizers.