東京を拠点とするサウンドギャラリーEBM(T)と、ベルリンを拠点に活動を行う3hd Festivalは、フェスティバル「インフラ INFRA」 を8月19日から8月26日まで開催いたします。
基礎や基盤を意味する インフラ INFRAという名前は、アーティスト、参加者にとっての新しい基盤を意味しています。
Berlin’s 3hd Festival and Tokyo-based EBM(T) Gallery are combining forces to work on インフラ INFRA 2017 in Tokyo, running August 19 to 26.
An ambitious festival of art, music, and thought in the digital age, the program unfolds in museums, galleries, clubs, and online.
The name インフラ INFRA is a play on the abbreviated form of ‘infrastructure,’ and breaks new ground for participants.
A panel discussion between artists Jenna Sutela and Lars TCF Holdhus about the effects of technology and algorithms in their art and music practice.
Nobukazu Takemura: Time Remaining
Performance by NT Ensemble, an orchestral group formed by the artist Nokukazu Takemura to expand on his ongoing research into the relationship between language and sound, while utilising text and images, within electronic music.
#WHITE_PAPER is an unpredictable work performed on this sheet of Google Docs. The page frequently turns into blank, leaving no archives. Will you be able to see the work? What kind of work is it? It all depends on your timing and fate.
Larry is a DJ from the underground music scene in Berlin dedicated to discovering new sounds and music cultures on the Internet. Her sets are clearly intended for an experience – without any loyalty towards a certain BPM or genre. In 2011, Larry co-founded platforms such as the party and label Creamcake, interdisciplinary music and art event 3hd Festival and インフラ INFRA.
DJWWWW’s unique style has been often described as the sound of the internet. Raised in Yamaguchi, he is co-founder of the blog SIM and the label Wasabi Tapes. His album “U.S.M!” released in 2015 has been cited as the best work of the year from The Wire. His cassette album Arigato, released on Orange Milk Records, was selected in Tiny Mix Tapes as one of 2016’s favorite 50 music releases.
Johanna Odersky is a Frankfurt-based artist who currently studying Fine Arts at Städelschule. In her sculptural work, Odersky is interested in the silhouettes separating the inside from the outside, and the mechanisms emerging from them: inclusion, exclusion and domestication. Thinking of exteriority as a form of resistance to contemporary claustrophobia, she simultaneously tries to build up and to break thoughts and their borders. A circular movement, in which one does not get closer to an exact definition, but instead is led to inexhaustible regress.