東京を拠点とするサウンドギャラリーEBM(T)と、ベルリンを拠点に活動を行う3hd Festivalは、フェスティバル「インフラ INFRA」 を8月19日から8月26日まで開催いたします。
基礎や基盤を意味する インフラ INFRAという名前は、アーティスト、参加者にとっての新しい基盤を意味しています。
Berlin’s 3hd Festival and Tokyo-based EBM(T) Gallery are combining forces to work on インフラ INFRA 2017 in Tokyo, running August 19 to 26.
An ambitious festival of art, music, and thought in the digital age, the program unfolds in museums, galleries, clubs, and online.
The name インフラ INFRA is a play on the abbreviated form of ‘infrastructure,’ and breaks new ground for participants.
Y. Ohashi: Chuoku no Biboroku – mental sketch
Different sounds are composed based on the outcomes of three dice. Available on the market, these dice have a concept of their own – on the package is the following phrase printed: “Let’s use the three cubes to write the future of space”.
Green Music ≓ AO
Green Music gives life to an imaginary score where shades of green orchestrate a miniature land embracing artificial lakes and an abstract environment enlivened by animal voices, wind and underwater flora.
Inside the Outside World
The group exhibition reflects on themes around infrastructure, and aims to give a new meaning to the idea of universality with the work of seven international and interdisciplinary artists working at the intersection of contemporary art, music, and performance.
Emamouse has been recognized as one of the most unique figures in Tokyo’s underground experimental music scene. Her playful sounds often combine “denpa”, a type of Japanese music that features off-key vocals, nonsensical lyrics and an over-the-top tune, and warped MIDI pop songs that recall classic Japanese video game aesthetics. Always hiding behind her signature felt mask, she emerges herself in games and virtual spaces to escape reality.
Lyra is a singer, composer, and performance artist. She studied classical music in upstate New York, and has called Berlin home for the last three years. In her solo work and collaborations, she embodies the search for sensual mysticism and transcendent emergence of the self within the emotional confines of global capitalism and our ever-more-heavily corporatized digital realms. In both her practices, Lyra commits to feeling, empathy, and listening as the central pathways to self-actualization as well as any affirmative, collective action.
Tomoko Sauvage, Japanese musician and artist, investigates the sculpturality of sound and improvisation in relation to the environment. Mainly known for a musical / visual research about ‘natural synthesizer’ of her invention, composed with diverse fluid, bowls, ceramic, light and underwater amplification, Sauvage’s approach is attached to questions of alchemy, meditation and balance between hazard and mastery. Under the form of performances, installations and musical compositions, her work is regularly presented in Europe, Asia and America.