東京を拠点とするサウンドギャラリーEBM(T)と、ベルリンを拠点に活動を行う3hd Festivalは、フェスティバル「インフラ INFRA」 を8月19日から8月26日まで開催いたします。
基礎や基盤を意味する インフラ INFRAという名前は、アーティスト、参加者にとっての新しい基盤を意味しています。
Berlin’s 3hd Festival and Tokyo-based EBM(T) Gallery are combining forces to work on インフラ INFRA 2017 in Tokyo, running August 19 to 26.
An ambitious festival of art, music, and thought in the digital age, the program unfolds in museums, galleries, clubs, and online.
The name インフラ INFRA is a play on the abbreviated form of ‘infrastructure,’ and breaks new ground for participants.
Club of a new Generation
A late-night closing party with DJs and producers who understand fun, speed and tempo.
Nobukazu Takemura: Time Remaining
Performance by NT Ensemble, an orchestral group formed by the artist Nokukazu Takemura to expand on his ongoing research into the relationship between language and sound, while utilising text and images, within electronic music.
Time and texture floats inside a house. Taking common images such as morning, afternoon, night, hallway, bedroom, garden, H. Takahashi morphs them into other spaces.
Toiret Status is a musician who compares his production to excretion, and works with the theme “mizu ni nagasu”, which is a Japanese expression that literally translates to “let flow in the water”. He creates music on simple applications and tools such as GarageBand, iPhone and iPad. 2015, in a collaboration with DJWWWW, Toiret Status released “YamaGucci” on Wasabi Tapes. 2016, “◎ omaru ◎” was released from Orange Milk Records.
Johanna Odersky a.k.a IKU is a Frankfurt-based artist whose interests and music is circulated around the aesthetic form of recursion. Currently studying Fine Arts at Städelschule, she uses this approach as a loose structure for creating, as well as erasing, mood and meaning. Recontextualization and self-reference are used to bring to mind different time frames and an alternative space to our linear histories and understanding of being.
食品まつり a.k.a Foodman is an electronic music producer and visual artist based in Tokyo. His renaissance-like take on and knowledge of music is probably the most positively disconcerting trait of his work. He negotiates various song forms and combines diverse genres – ranging from techno, house, pop, raw electronic percussion to concretism, footwork, and ambient – with an incredibly creative, musical, and wild take on melody, harmony, timbre and syncopation.