東京を拠点とするサウンドギャラリーEBM(T)と、ベルリンを拠点に活動を行う3hd Festivalは、フェスティバル「インフラ INFRA」 を8月19日から8月26日まで開催いたします。
基礎や基盤を意味する インフラ INFRAという名前は、アーティスト、参加者にとっての新しい基盤を意味しています。
Berlin’s 3hd Festival and Tokyo-based EBM(T) Gallery are combining forces to work on インフラ INFRA 2017 in Tokyo, running August 19 to 26.
An ambitious festival of art, music, and thought in the digital age, the program unfolds in museums, galleries, clubs, and online.
The name インフラ INFRA is a play on the abbreviated form of ‘infrastructure,’ and breaks new ground for participants.
Time and texture floats inside a house. Taking common images such as morning, afternoon, night, hallway, bedroom, garden, H. Takahashi morphs them into other spaces.
Nobukazu Takemura: Time Remaining
Performance by NT Ensemble, an orchestral group formed by the artist Nokukazu Takemura to expand on his ongoing research into the relationship between language and sound, while utilising text and images, within electronic music.
TCF: 0A F0 11 6B 5A D7 F9 96
Shifting between art exhibitions and musical performance, Lars TCF Holdhus work explores themes of code, cryptography, and musical composition through the use of visual, sonic, built, and written concepts.
Larry is a DJ from the underground music scene in Berlin dedicated to discovering new sounds and music cultures on the Internet. Her sets are clearly intended for an experience – without any loyalty towards a certain BPM or genre. In 2011, Larry co-founded platforms such as the party and label Creamcake, interdisciplinary music and art event 3hd Festival and インフラ INFRA.
Shana Moulton is a media artist who explores contemporary anxieties through her filmic alter ego, Cynthia. Moulton has had solo exhibitions and performances at The New Museum, SFMOMA, MoMA P.S.1, Performa 2009, The Kitchen, Electronic Arts Intermix, Art in General, The Andy Warhol Museum, The Migros Museum in Zurich, The Palais de Tokyo in Paris and the Times Museum in Guangzhou. Moulton’s work has been reviewed in the Village Voice, Artforum, the Brooklyn Rail, the New York Times, Artnet Magazine, Frieze Magazine, Art Review, Artpress and Flash Art. She is a featured artist at Electronic Arts Intermix and Art21.
Tomoko Sauvage, Japanese musician and artist, investigates the sculpturality of sound and improvisation in relation to the environment. Mainly known for a musical / visual research about ‘natural synthesizer’ of her invention, composed with diverse fluid, bowls, ceramic, light and underwater amplification, Sauvage’s approach is attached to questions of alchemy, meditation and balance between hazard and mastery. Under the form of performances, installations and musical compositions, her work is regularly presented in Europe, Asia and America.