東京を拠点とするサウンドギャラリーEBM(T)と、ベルリンを拠点に活動を行う3hd Festivalは、フェスティバル「インフラ INFRA」 を8月19日から8月26日まで開催いたします。
基礎や基盤を意味する インフラ INFRAという名前は、アーティスト、参加者にとっての新しい基盤を意味しています。
Berlin’s 3hd Festival and Tokyo-based EBM(T) Gallery are combining forces to work on インフラ INFRA 2017 in Tokyo, running August 19 to 26.
An ambitious festival of art, music, and thought in the digital age, the program unfolds in museums, galleries, clubs, and online.
The name インフラ INFRA is a play on the abbreviated form of ‘infrastructure,’ and breaks new ground for participants.
Time and texture floats inside a house. Taking common images such as morning, afternoon, night, hallway, bedroom, garden, H. Takahashi morphs them into other spaces.
TCF: 0A F0 11 6B 5A D7 F9 96
Shifting between art exhibitions and musical performance, Lars TCF Holdhus work explores themes of code, cryptography, and musical composition through the use of visual, sonic, built, and written concepts.
Japanese producers H. Takahashi and Y.Ohashi will discuss questions about different cultural contexts and online-identities. This talk will be held in Japanese.
ALMA is an artist/performer living and working in Tokyo. She is an ordinary girl, a child of bad revolution, and a sweetie. She is also part of the Pink Queendom collective.
Takahashi is an architect and composer born in Tokyo. DIY at the core, Takahashi produces with simplicity – shredding all unnecessary steps. Composed in GarageBand on an iPhone, Takahashi’s characteristically ambient works have been released by labels such as Where To Now? (UK) and Constellation Tatsu (US). He also composes for an ambient unit, Unknown Me.
Makoto Taniguchi is a Tokyo based artist who finished his studies in intermedia art at Tokyo University of the Arts. His work is based on the imagery of girls in Japan as they appear as characters in comics and anime, and as heartthrobs and idols. These images of girls, passed down steadily to Taniguchi since his youth in the 1980s, are acknowledged as a common, general occurrence within contemporary Japanese society.