東京を拠点とするサウンドギャラリーEBM(T)と、ベルリンを拠点に活動を行う3hd Festivalは、フェスティバル「インフラ INFRA」 を8月19日から8月26日まで開催いたします。
インフラ INFRAは、デジタルカルチャー時代におけるアート、音楽、思想を、美術館や、ギャラリー、クラブ、そしてオンラインという場を介して開催される、今までにはないフェスティバルです。
基礎や基盤を意味する インフラ INFRAという名前は、アーティスト、参加者にとっての新しい基盤を意味しています。
Berlin’s 3hd Festival and Tokyo-based EBM(T) Gallery are combining forces to work on インフラ INFRA 2017 in Tokyo, running August 19 to 26.
An ambitious festival of art, music, and thought in the digital age, the program unfolds in museums, galleries, clubs, and online.
The name インフラ INFRA is a play on the abbreviated form of ‘infrastructure,’ and breaks new ground for participants.
Program
DJ Paypal x Makoto Taniguchi: Reanimation
A newly commissioned collaborative work by anime lovers DJ Paypal and Makoto Taniguchi will riff on anime culture with their own life-size anime character “SOI”, created by Makoto Taniguchi, and scored by DJ Paypal.
Inside the Outside World
The group exhibition reflects on themes around infrastructure, and aims to give a new meaning to the idea of universality with the work of seven international and interdisciplinary artists working at the intersection of contemporary art, music, and performance.
Meditative Sounds and Objects
A panel discussion between the artists Tomoko Sauvage and Francesco Cavalli of Green Music about meditative sounds and objects in their art and music practice.
Artists
Y.Ohashi
Y.Ohashi is a Japanese producer who gets inspiration from sceneries and phenomena experienced when in solitude. Placing pieces of collected recordings, Ohashi replays broken pieces of nostalgia. Between 2015 and 2016, he has released four albums through his own Bandcamp. In 2016, ein Nebelhaftes Zimmer was released through Wasabi Tapes.
Lilium Kobayashi
Lilium Kobayashi is an artist who lives in Tokyo, and is part of the Pink Queendom collective.
Aurora Sander
The Berlin based duo consisting of Ellinor Aurora Aasgaard and Bror Sander Berg Størseth constantly serve up fresh perspectives on the world, tongue in cheek, jaws scraping off the ground. The objects produced by the duo are caught in between form and function, art and design, discourse and disgust. Aurora Sander reacts to the intrinsic structures of the art world, of socialization, distribution, value creation, judgement, and accruement, to turn some tables, but making sure the tables look damned good on the way round.